5 answers
Sophia
Student
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Questions
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Do Producers and Directors work with Video and Film Editors?
Is becoming a FIlm & Video Editors hard to become in the future?
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5 answers
Jill Salvino
director
3
Answers
Asbury Park, New Jersey
Updated
Jill’s Answer
As a director, my connection to my editor is an important one.
Over time or instantaneously, (depending on the dynamic) one develops an invaluable shorthand way of communication in this process.
Allowing the people that you collaborate feel comfortable enough to bring their ideas and A-game to your production only makes the work better.
Over time or instantaneously, (depending on the dynamic) one develops an invaluable shorthand way of communication in this process.
Allowing the people that you collaborate feel comfortable enough to bring their ideas and A-game to your production only makes the work better.
Steve Jacobson
Creative Leader/Content Creator/Producer/Editor/Storyteller
28
Answers
Westlake Village, California
Updated
Steve’s Answer
Depending on the type of editor you're referring to, they often collaborate with directors and producers. Interestingly, some editors even take on the role of producers, particularly in the marketing sector, where they're known as 'Preditors'. In conventional TV and film production, editors primarily work with directors. However, when it comes to marketing videos or non-entertainment content, editors typically collaborate with the producer or the creative director. Ultimately, the person responsible for the project's vision is the one the editor works with.
The industry is continually evolving, especially with the advent of AI. Predicting its future impact on post-production and the editorial process can be challenging. However, in my view, acquiring a solid education in this field and networking with industry professionals will set you on the right path to becoming an editor. This will also help you gain a comprehensive understanding of how production operates and the significance of planning during pre-production and production for the post-production process. You'll also get to understand the true meaning of "Fix it in post!".
Best wishes on your journey.
The industry is continually evolving, especially with the advent of AI. Predicting its future impact on post-production and the editorial process can be challenging. However, in my view, acquiring a solid education in this field and networking with industry professionals will set you on the right path to becoming an editor. This will also help you gain a comprehensive understanding of how production operates and the significance of planning during pre-production and production for the post-production process. You'll also get to understand the true meaning of "Fix it in post!".
Best wishes on your journey.
Gregory Andracke
Cinematographer
8
Answers
New York, New York
Updated
Gregory’s Answer
The essence of a director's collaboration with an editor is well encapsulated in previous discussions, yet there's a fair amount of interchangeability. To me, the hallmark of a competent editor is their ability to weave a compelling narrative. This holds true irrespective of whether the editor is directly collaborating with the director or working on a project where the director's role has concluded, and the editor has to orchestrate a cohesive story using video and sound.
This can be seen in reality shows, particularly those centered around crime. The producer, acting as a de facto director/writer, is on location with the camera crew, conducting interviews and supervising the filming of supporting scenes. However, due to regulations set by the Director Guild of America (DGA) & Writer Guild of America (WGA), they don't receive the official credit. If the show falls under DGA & WGA contracts, the director/writer could be eligible for pension benefits and residuals upon re-airing or selling of the program.
Typically, the producer, upon returning from the field, hands over the footage to an editor and provides a guiding script. The producer's collaboration with the editor can be either in-person or remote, depending on various factors. The latter has become increasingly common due to the Covid pandemic.
Looking ahead, the prospect of AI taking over editing duties is becoming more plausible. However, a human touch - be it from a producer, editor, or writer - is crucial to ensure the final product conveys the intended message to the viewers. In other words, while I can't predict the future of editing, it's likely that budget-friendly productions might lean towards AI.
This can be seen in reality shows, particularly those centered around crime. The producer, acting as a de facto director/writer, is on location with the camera crew, conducting interviews and supervising the filming of supporting scenes. However, due to regulations set by the Director Guild of America (DGA) & Writer Guild of America (WGA), they don't receive the official credit. If the show falls under DGA & WGA contracts, the director/writer could be eligible for pension benefits and residuals upon re-airing or selling of the program.
Typically, the producer, upon returning from the field, hands over the footage to an editor and provides a guiding script. The producer's collaboration with the editor can be either in-person or remote, depending on various factors. The latter has become increasingly common due to the Covid pandemic.
Looking ahead, the prospect of AI taking over editing duties is becoming more plausible. However, a human touch - be it from a producer, editor, or writer - is crucial to ensure the final product conveys the intended message to the viewers. In other words, while I can't predict the future of editing, it's likely that budget-friendly productions might lean towards AI.
Larry Richards
Television Producer
7
Answers
Tampa, Florida
Updated
Larry’s Answer
Not necessarily Producers, although it's possible, but definitely the Director. In fact, it's common for the Director to be the Editor although in my experience this isn't necessarily the best scenario (unless there's no money in the budget for an editor). I feel it's important for a Director to be able to work with someone who not only shares the Director's vision but who also can bring their own perspective to the project. It's very hard, if not impossible for one person to be able to see, hear and think of everything on their own so to have someone else make suggestions can be really helpful and impactful.
Kathy Chan
Videographer/Photographer
22
Answers
Philadelphia, Pennsylvania
Updated
Kathy’s Answer
The short answer is: yes, but it depends on the type of project (and preference). For film and TV, Directors tend to be more involved in the Post-Production department. Producers tend to be more involved in the planning & distributing phases and leave creative direction to their Directors, DPs and editors.
In more corporate Videography settings, you'll find that Directors can have a more hands-off approach, but still provide feedback and notes concerning the look and feel for the final video. They're still involved, but not as much as they would be for film & TV.
In my experience as a Videographer, I've dealt with both sides of the coin and find that it all really comes down to preference. More experienced Directors tend to be more meticulous with their vision, guiding their editor through every second of every piece of footage. On the flipside, I've had many directors allow me to take the Creative wheel and trust me to bring about their vision with I see would work best.
To answer you next question, no it really isn't difficult to become a Film/Video Editor. It all depends on what path you'd decide on, what you like editing, and if you prefer working in Film & Television or if you're considering a more corporate setting.
In more corporate Videography settings, you'll find that Directors can have a more hands-off approach, but still provide feedback and notes concerning the look and feel for the final video. They're still involved, but not as much as they would be for film & TV.
In my experience as a Videographer, I've dealt with both sides of the coin and find that it all really comes down to preference. More experienced Directors tend to be more meticulous with their vision, guiding their editor through every second of every piece of footage. On the flipside, I've had many directors allow me to take the Creative wheel and trust me to bring about their vision with I see would work best.
To answer you next question, no it really isn't difficult to become a Film/Video Editor. It all depends on what path you'd decide on, what you like editing, and if you prefer working in Film & Television or if you're considering a more corporate setting.